Sue Miller: Personal Voyage
Sue Miller’s painting is inspired by many things. Pulling from interests that range from mythology and art history to a love of poetry and music, she creates works that are…
Philip Koch: Isle of Dreams
This spring, OMAA will present an exhibition of paintings and studies by Philip Koch (b. 1948, Rochester, New York), known for colorful, panoramic landscapes and an affinity with early modern…
Hopeful: A Project by Charlie Hewitt
This season, OMAA is proud to participate in Hopeful: A Project by Charlie Hewitt. In 2019, Charlie Hewitt (b. 1946, Lewiston, Maine) was commissioned by Speedwell Projects, a nonprofit gallery…
Robert Laurent: Open Studio
Displayed in a re-creation of his studio in Cape Neddick, Maine, Robert Laurent: Open Studio presents drawings, paintings, and sculpture by Robert Laurent (1890-1970) and artists in his circle. This…
The View from Narrow Cove
At the turn of the 20th century, urban artists in search of new subject matter found inspiration in this stretch of coastline, forming schools, then communities. The resulting contribution to…
I’ll Bring the Luck with Me: Hunting and Fishing with Henry Strater
A major theme for artist and OMAA founder Henry Strater (1896-1987) was what he called “the disorganized abundance of Mother Nature.” Strater was an avid hunter, fisherman, ‘polar bear’ swimmer, and…
Virginia Overton: Untitled (Cardinal C-80)
OMAA is proud to present Untitled (Cardinal C-80) by Virginia Overton (b. 1971, Nashville, Tennessee) in its sculpture garden this season. Untitled (Cardinal C-80) is made from a steel frame…
Josephine Halvorson: On the Ground
OMAA is pleased to present an exhibition of paintings by Josephine Halvorson (b. 1981, Brewster, Massachusetts) from the series, “On the Ground,” which is also the title of her essay…
Celeste Roberge: In The Park
Chaise Gabion Made of brushed stainless steel, Chair for Mining Chromium is a commonplace object with a complex story. Simultaneously productive and destructive, the act of mining involves the extraction…
One Hand Clapping: Jo Sandman
Sandman’s innovative artistic practice explores complex interconnections between the physical world and the structural underpinnings of abstraction. Working with a variety of materials, including traditional artist tools and supplies, found objects, industrial hard goods…
