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Where the Real Lies

The Ogunquit Museum of American Art is thrilled to present Where the Real Lies opening on April 18, 2025, and running through November 16. This exhibition brings together nineteen contemporary artists who imagine spaces to find strength and self-understanding in the face of the tumultuous realities that define our daily lives.  

Reality today feels confusing and unmoored. Jerked and jolted, the 21st century has been carried from one crisis to the next: from financial panics to social reckonings to global pandemics. The breakdown of a shared reality has intensified this sense of chaos. As our modern society feels more dehumanizing, alienating, and unsustainable, the artists in this exhibition engage the magical, fantastical, and abstract as devices to envision and empower parallel spaces for their own self-reflection and representation.  

Across this exhibition, artists embrace psychoanalytically the imagery of childhood memories and dreams; explore the personal significance of materials and symbols; and reflect on individual relationships to, and representations within, dominant historical narratives. Together, the artists in the exhibition question the veracity of our reality and search for its true location. 

Where the Real Lies is a collaboration with Spaghetti Western Collection, founded by Michael Sherman and Vinny Dotolo, which has a mission to highlight and exhibit emerging contemporary artists.  

Participating Artists: Adam Alessi, Natalie Ball, Louis Fratino, Dominique Fung, Bambou Gili, Sasha Gordon, Taha Heydari, Clotilde Jiménez, Becky Kolsrud, Leslie Martinez, Devin N. Morris, Tammy Nguyen, Ariana Papademetropoulos, Bony Ramirez, mosie river, Jose de Jesus Rodriguez, Nadia Waheed, Blair Whiteford, and Mark Yang.  

Exhibition Preview
Ariana Papademetropoulos, The Tamed Beloved, 2021, Oil on canvas, 84 x 120 inches, (213.4 x 304.8 cm). © Ariana Papademetropoulos; Photo by Flying Studio; Courtesy of the artist and Jeffrey Deitch, Los Angeles
Sasha Gordon, Sore Loser, 2021, Oil, molding paste, glass beads, pumice on canvas, Overall: 72 x 120 x 1 1/2 in. (182.9 x 304.8 x 3.8 cm.). ©Sasha Gordon. Image courtesy of the artist and Matthew Brown.
Leslie Martinez, We Bear the Weight of Light Cutting Open, 2022, Fabric, paper, crushed charcoal, crushed rock, sawdust, wood ash, iron oxide, and acrylic on canvas, 90 x 70 x 4 in (228.6 x 177.8 x 10.2 cm). © Leslie Martines. Image courtesy the artist and Night Gallery, Los Angeles.
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