American Conversations

As the United States approaches the 250th anniversary of its founding, the Ogunquit Museum of American Art announces American Conversations, an exhibition examining how artists have contributed to the ongoing dialogue surrounding the idea of “America” over the past 125 years. Rather than presenting a fixed narrative, the exhibition frames “Americanness” as a dynamic, collective concept ever in flux. 

Drawing primarily from OMAA’s permanent collection and supplemented by significant loans from Art Bridges and other partners, American Conversations is structured as a constellation of visual dialogues. Each section pairs two works of art, inviting viewers to consider how artists across generations and backgrounds engage with themes central to American identity and experience. Some pairings bring contemporaries together; others create transhistorical encounters that illuminate shared concerns or surprising resonances across time and place. 

A defining feature of the exhibition is its evolving nature. Throughout its run, pairings will shift regularly—whether by substituting one work to reframe the other or by introducing entirely new conversational pairs. This approach mirrors the fluidity of conversations shaping American art and life, emphasizing that the meaning of “America” is neither static nor singular. 

The rotating structure also enables OMAA to share a wider range of collection works, including artworks that are seldom on view. By presenting these objects in fresh contexts, American Conversations encourages visitors to encounter the collection anew and engage in the broader, ongoing process of defining—and redefining—what America has been, is, and might yet become.

Exhibition Preview
Alexander Calder (1898-1976), El Ojo Que Sueño [The Dreaming Eye], 1955, Sheet metal, wire, paint, 22 in x 47 in x 9 in., Gift of Charles Jackson Friedlander Trust, 2025.11. Photo by Luc Demers. © 2026 Calder Foundation, New York / Artists Rights Society (ARS), New York.
Philip Guston (1913-1980), Cigar, 1969, oil on canvas, 52 x 60 1/8 in. Art Bridges. Image courtesy Art Bridges. © Estate of Philip Guston / Licensed by Hauser & Wirth, New York, NY.
Marsden Hartley (1877–1943), Still Life with Eel, ca. 1917, Oil on canvas, 29 x 24 ½ in. Gift of Mrs. William Carlos Williams, 1967.26. Photo by Luc Demers.
Stephen Hopkins Hensel (1921–1979), Seance, 1948, Oil on canvas, 49 x 26 in. Gift of Antonio Barcello Vert in memory of Stephen Hopkins Hare, 1980.11. Photo by Luc Demers.
Rasheed Johnson, Untitled (Seascape), 2023, Silkscreen resist with hand-applied pigment, 48 x 65 in. Gift of Mathieu O. Gaulin, 2024.4. Photographer is Sarah Muehlbauer. © Rashid Johnson. Courtesy the artist and Hauser & Wirth.
Jack Whitten (1939-2018), Lapsang, 1974, acrylic and graphite on canvas, 67 5/8 x 39 5/8 in. Art Bridges. Image courtesy of Art Bridges. © Jack Whitten Estate / Licensed by Hauser & Wirth.
Lois Dodd (b. 1927), Flood, St. Francisville, LA, 1984, Oil on canvas, 12 ¼ x 13 ½ in., Gift of Charles T. Clark, 2018.6.1. Photo by Luc Demers. © Lois Dodd, Courtesy Alexandre Gallery, New York.
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