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X-WR-CALDESC:Events for Ogunquit Museum of American Art
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DTSTART;TZID=America/New_York:20260807T110000
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DTSTAMP:20260728T190153
CREATED:20260728T180917Z
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UID:10001382-1786100400-1786111200@ogunquitmuseum.org
SUMMARY:Ashley Page – Papermaking Workshop
DESCRIPTION:Ashley Page – Papermaking Workshop\nFriday\, August 7\, 11am – 2pm \nJoin Portland based artist Ashley Page in this hands-on papermaking workshop! Focused on the beauty of botanicals\, attendees will learn basic sheet forming and incorporate fresh and dried plant material within the papers. Participants can create floral compositions within their pages using embedding or use plants as inclusions in their papers\, creating beautiful\, unexpected papers. Once dried\, these papers can be framed\, collaged\, written\, painted or drawn upon. This is a beginner class that has plenty of space for experimenting and intuitive making! No prior papermaking experience is required\, and participants will be guided through each step of the process. Something to consider: Papermaking is a wet process; participants should be prepared with waterproof or water-safe shoes and clothing. Suggested Materials to bring (This is totally optional\, but helpful for attendees): Plant matter from your personal gardens\, floral arrangements\, foraging etc; Botanical related imagery or collage material; A personal pair of tweezers; Waterproof apron (or clothes you’re okay with being wet); Waterproof shoes (or shoes that are okay with getting water on them); Sketchbook + mark making tools.\n \n\n\n\nClick here to register.\n\n\n\n \n\nAll are welcome\, no prior experience in papermaking necessary.\n\n \nASHLEY PAGE is an interdisciplinary artist living and working in Portland\, ME. She holds a BFA in Sculpture from the Maine College of Art & Design. Her studio practice serves as a vehicle for storytelling\, representation\, and intergenerational exchange. Page’s artwork has been exhibited at museums and institutions\, including the Portland Museum of Art\, Hunterdon Art Museum\, the Tate House Museum\, and the University of Southern Maine Art Gallery. As a teaching artist\, she has taught various workshops in textiles\, papermaking\, and printmaking at Peters Valley School of Craft\, the University of Maine Orono\, Waterfall Arts\, and Coastal Maine Botanical Gardens\, among others. \n 
URL:https://ogunquitmuseum.org/event/ashley-page-papermaking-workshop/
LOCATION:OMAA
CATEGORIES:2026 Classes
ATTACH;FMTTYPE=image/jpeg:https://ogunquitmuseum.org/wp-content/uploads/2026/07/Ashley-Page_-by-jo-silva-scaled.jpeg
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DTSTART;TZID=America/New_York:20260917T150000
DTEND;TZID=America/New_York:20260917T170000
DTSTAMP:20260728T190153
CREATED:20260728T181029Z
LAST-MODIFIED:20260728T181040Z
UID:10001383-1789657200-1789664400@ogunquitmuseum.org
SUMMARY:Shane Charles - Site-based activation
DESCRIPTION:Shane Charles – Site-based activation\nThursday\, September 17\, 3pm – 5pm \nA site-based activation within an engineered sculptural system built from timber\, oxidized steel\, and machined joinery. Breath\, moisture\, and pressure operate as material methods: contact transfers residue\, corrosion advances\, and the surface records what occurs in real time. Time reads as a physical interface—irreversibility and emergence carried forward through touch\, weight\, and chemical change. \n\nClick here to register.\n\n \nSHANE CHARLES is a sculptor working across Maine\, Boston\, New York\, and internationally—engineering installations from Eastern Woodlands–sourced timber\, oxidized body-print on steel\, hand-cast metal\, and machined hardware—works in which contact is not image; pressure not metaphor; but consequence. Surface meets surface. Load to constraint. Breath into substrate. The body registers into steel as real transfer; and does not reverse. In this practice\, the body is material history; somatic memory is physical—experience as mortality witnessed. Architectural framing and performative activation operate as a single horizon system: condition with contact is form. Touch is the context in which the inert past faces potential—emergence carried forward by irreversibility.
URL:https://ogunquitmuseum.org/event/shane-charles-site-based-activation/
LOCATION:OMAA
CATEGORIES:2026 Classes
ATTACH;FMTTYPE=image/jpeg:https://ogunquitmuseum.org/wp-content/uploads/2026/07/artist-Shane-Charles-1152x1536-1.jpeg
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DTSTART;TZID=America/New_York:20260924T100000
DTEND;TZID=America/New_York:20260924T120000
DTSTAMP:20260728T190153
CREATED:20260728T181249Z
LAST-MODIFIED:20260728T181249Z
UID:10001384-1790244000-1790251200@ogunquitmuseum.org
SUMMARY:Rachel Gloria Adams -  Quilted Vase Workshop
DESCRIPTION:Rachel Gloria Adams –  Quilted Vase Workshop\nThursday\, September 24\, 10am – 12pm \nWe love an upcycle moment. Learn to transform a glass bottle into a one of a kind quilted vessel. We will hand stitch fabric to create improv quilt vases.  \n\nClick here to register.\n\n \nRACHEL GLORIA ADAMS is a multidisciplinary artist living in Portland\, ME. Adams has developed a vibrant\, graphic pattern-based visual language filled with references to the natural world and motherhood that possesses an heirloom quality. Her work takes form through quilting\, painting\, design and murals. She moved to Maine in 2005 to pursue her BFA from the Maine College of Art and Design. She has exhibited artwork at the Portland Museum of Art\, Space Gallery\, Center for Maine Contemporary Art and Dowling Walsh. Her work has been acquired by the Portland Museum of Art and the Farnsworth Museum. She has attended residencies at Speedwell and Pace House and is an Indigo Arts Alliance David C. Driscoll Fellow. In addition to her studio practice\, Adams has been commissioned to create murals for several institutions including the Children’s Museum of Portland\, the Farnsworth Museum\, and the Worcester Art Museum.
URL:https://ogunquitmuseum.org/event/rachel-gloria-adams-quilted-vase-workshop/
LOCATION:OMAA
CATEGORIES:2026 Classes
ATTACH;FMTTYPE=image/jpeg:https://ogunquitmuseum.org/wp-content/uploads/2026/07/13596E6B-C34F-4B51-ABD1-51B04D1FECD3.jpg
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